Showing posts with label IAR 102. Show all posts
Showing posts with label IAR 102. Show all posts

Sunday, May 1, 2011

Portfolio!

My portfolio was suppose to be made out of alluminum sheet metal.....clearly that did not happen.  For one, it was impossible to find sheet metal that was thin enough to not be too heavy in such a large size.  So instead...I used silver matte board with a thick layer of plastic over it that actually (surprisingly) gave off the same industrial look as the metal!  I then used silver ribbon (I was going for industrial, or raw-chic [like my blog header!])  to tie the boards together-which might not have been the best choice- I probably should have used something a little stronger.

This is my one point perspective that I added on the portfolio proposal assignment, just for kicks :)  Look how cute Sarah looks!

This is the actual portfolio- It's kind of hard to see since the plastic is so reflective!  The blog header is on the front of it!

Good byeee first year Studio Desk.  My little hide out will be missed :(

Studio Perspective Sketch:

This is one of our first SKETCHED perspectives.  We were used to drafting perspectives perfectly accurately but now we were trying to sketch them faster and by using our pencils and other tricks to help with measuring.  I definitely didn't mind spending a lot of time to learn this because to me it was awesome once it was done and I was like "wow, I just SKETCHED that".  HOWEVER- my Shading CLEARLY has some issues.  For one, the entire composition is too light- and for two I should not have just focused on the floor shading- not to mention, the floor shading is pretty awful.  But I think the wire frame is awesome!!! I like the amount of detail I put in.  It's those last steps (like shading) that always get us!

LEARNING HOW TO RENDER! (with markers)

This should be interesting...
It was time to learn how to render (fancy word for coloring) with markers! Scary!  I had previously stuck to color pencils because markers just seem so...final.  And they are- but we learned some tricks of the trade to help out with that.  We were assigned to draw a perspective of the studio and then to print it off five times and render all of them (while practicing our personal styles and vignetting as well)  I also realized that different papers have very different effects- AND that these markers must seriously damage my brain because they smell SO intense and after LITERALLY 5 hours of rendering just to complete a couple of these you really do need a break :)  So I set off to rendering...
This was my first attempt with markers (obviously) and it was on Yellow Trash.  I actually realized I like using trash paper- It gives the markers a lighter effect and so you can work on your color and add layers easier.


Another method/ Rending

Started adding color pencil for shading!

Figuring out how to show shadows better and show textures (such as the lines on the reflective floor)

Still figuring out new methods..
We were then asked to borrow someone elses Wire Frame (Below is Kristy Strouds wire frame) and render it!  This was going to be difficult because we weren't used to this one but it was also going to be fun....a couple house later I came up with the Render below!
My personal best one yet! (I think)  Scale figures definitely help!

COMPARITIVE COMPOSITION

This is my comparitive composition of Monticello versus Falling Water!  I chose to focus on the landscape differences plus the structural differences.  They were so different thought that you could almost focus on ANYthing and they would look both incredibly different, or incredible and different :)

A closer view of Thomas Jeffersons Monticello House.  I kind of like my rendering in this one- it's only hinted at but I think it looks cool.

A closer look at the Frank Lloyed Wright Falling Water House.  You could draw this house however you wanted and I believe it would still look really cool.
I'm sure I've mentioned our field trip in previous blogs but these two houses really were breath taking and I'm excited we got to put our new design skills to real life design!  Where the Monticello house has always been more of my style I absolutely adored 100 % more Falling Waters.  I think I realized that my taste actually is more modern than I thought.  I loved the horizontals and how could one not respect his innovative ways in leading the persons eyes outside.  It's awesome to think of such a cool designed space that is all about leading the person AWAY from the space. 

ST. MARYS RENEVATION! A WRITERS RETREAT!

Our assignment was to create a space in an existing building located in College Hill- a historic neighborhood of Greensboro, NC.  We began our exploration by visiting, drawing, and getting to know the space inside.  Once we were aware of the floor plan, the historic guidelines (the can and can nots of the building) we began our interior designing!  
We were asked to come up with an overall design concept.  For me, I typically do that anyway- and my design concept was WATER.  At first I thought this was because of the CALM feel that water gives off, but I realized that it wasn't calm at all..I subconciously designed through water because of the progression of energy and productivity that the presense of FLOWING water can give a person.
I utilized CURVE throughout my floor plan in order to help me come up with ideas all throughout the project.  My colors were mostly blues, grays, and creams.  Here are the final compositions of the boards, plus closer up views of each drawing:

Board 1- Floor plan, and Floor Plan of the Inspiration Platform

Closer view of the Kitchen (Top) and Bedroom (Bottom)

Closer view of the bottom layer- the Conference/ Meeting with Student Space, as well as the Public Bathroom.  I utilized curve even to create the desk where students meet with the Writer.

Closer view of the Public Reading Space/ Living Space.  I once again used curve to find the couches, as well as the multifunctional tables that I termed "light boxes" because they give off light in the room, can be sat on to seat the larger amount of people during readings, and also can be used as a coffee table to write on.
2nd Final Composition Board- Longitudinal Section Elevation of the entire space, as well as a Section showing the Kitchen in more detail.

Closer view of the Bedroom.  The bedroom has a hallway leading into it (the door on the far left) and then there are grand curved steps that lead up to the King Size bed that is located under the half dome (which was originally in the St. Marys building and used as the alter)  The part of the wall on the right that is not poched is where Stained Glass has been put in (and can be seen in later drawings)  There are also windows in the domed area so as to not block the sleeper from all light and to provide them with a more open sense of space.

Closer view of the reading/conference room, inspirational platform, and the Public Reading space.  This drawing also shows the large "room divider" and the lighting.  The wave-like looking piece separating the living space and the back rooms serves as an artistic room divider.  It also serves as continuation of the flow of the stairs (located behind it in this drawing but can be seen with the dotted hidden lines)  I wanted something artistic and organic in my house that could be there for aesthetic purposes and just to inspire and allow the writer to think in an abstract manner.  They are steel sheets that are each about 6" thick and range in length and shorten as they get closer to the left wall (the wall that has been cut out in this drawing)  The steel also continues back underneath the platform space where it creates a wavy pattern on the ceiling of the Conference room.  The lighting is modern chandeliers which are blue and white in color and have a dimmer as to create a darker night time feel in the Reading room, but can be turned up when writing or "living" in that space.  These lights are seen throughout the house.

Section view of the Kitchen.  The kitchen is left simple, but much more open and larger than it was originally.  There is an island in the middle with seating around it to write as well as a circular table on the left side where writers can also sit with a cup of coffee.  The entrance to the bedroom is also located in this room through a hallway.

Floor Plan of the Inspirational Platform.  The person goes up the stairs and sees a room full of body shaped couches/chairs made from upholstery foam.  The stained glass shows through (since it shares that wall with the bedroom) and there are chandaliers up there as well.  There is a stepping stone path leading the whole way across so the person can lounge anywhere they would like.  This room is simply to serve as a get away and that is why it is located higher than the other rooms and the person can lounge and think in any form they wish.

Here is a one point perspective of the Bedroom, showing the colors and textures of the space, as well as the curved steps and the bed located under the half-dome, and the stained glass on the back wall (which is suppose to resemble water)  The carpet is a shag carpet and the floor is gray and hard.  The walls are also a light gray, and the same modern tube-like chandaliers are seen in the bed chamber.  Around the corner (where the long curtain is) is where the OPEN closet is located.  There is a vanity table (barely seen) back there as well as poles for clothes and curtains that cover these clothes to protect it from the sun coming in from windows.  The bathroom is located right across from the open closet but is not seen in this perspective.

Here is a perspective of the Steel sheets that separate the three Publicly used rooms.  This is also my Two Point Perspective taken from an aerial view.

This is a one point perspective of the Public Reading room drawn from where the person would read to an audience. (right in front of the Steel sheets)

My own extra words:  I absolutely LOVED this project.  It was our first entire space that we were assigned to design, and it was definitely a challenge.  However, I didn't mind slaving away to do it because it was fascinating being able to come up with a space completely designed by ME.  And now I wish it could actually be built so I could see what works and what doesn't work anddd how AMAZING it is! ;)
I do wish I would have done more perspective and section drawings though because during my critique it was difficult for a lot of people to understand the concept of the Water fall structure.  It was actually a weird idea to me at first too and I went to my teacher and said "hey I have an idea and it's either a hit or a miss but I really like it" and he helped me to structure the idea a little although I still think it was a hit/miss for several people.  Mostly a hit though I think! Some people said it took up too much space, and I'd have to agree that there could be a way for me to get across the same artistic/ abstract idea in a less extreme or space taking way.  Next time I'll have to slave away just a little extra to get my idea across better. 
I am very proud of my project though and I actually can't wait to get started on the next space! :)


DINING PROJECT!

Our first REAL interior space!  Our assignment was to create a space for dining, that included social media in some form, and sat 4 to ten people...

I created a space that sat anywhere from one to ten (really, more if necessary) through the use of a multifunctional table.  I designed a table that fit together to form a circle, but each module could fit in different patterns to also form a bar (swivel pattern) or a line (for in front of the media screen), or a circular table for dining.
This is the Top, Front, and Side view of each separate module.
 The space itself is a stand alone 'restaurant-like' setting where one walks into the foyer..which is only a foyer because it is blocked off by the gigantic side table!  The person either walks around the side table on the left or right and enters the completely open space.  There is a large media screen directly on the back wall, and the walls on both the left and right sides are window panels, exaggerating the open feel of the space.  The room is lit by a couple of lights on the ceiling but mostly by lights that are in the two soffets surrounding the length of the room.


Above is a model of the dining space (my very FIRST model- might i add!)


Monday, February 28, 2011

Designing Space- Theory Reading 3

Designing a table seems rather simple at first.  You think about the functionality of it, and whether it looks the way you imagined it.  You may think about the material its made of, and how large or small it will be.  You decide whether it will be modern or traditional and what kind of chairs will go with it....or at least that is what I think of.  But do you think of the conversation that will be had at the table?  Do you think of whether the shape of the table is the most inviting for communication.  Do you wonder whether the surrounding environment will invite conversation as well?
In the Personal space blog I learned that people tend to break off into groups of two.  If not two, then groups that are usually less than five....even where there are a lot of people around.  In fact, when there is not an activity or a formal reason to be meeting, there is pretty much no reason for a communal space.  People will not use the space to talk to everyone, but rather to talk to one other person.  When I read this I wondered why I had never thought about this, because it is absolutely true.  Anytime I am at a place where there are a lot of people, I always make sure I can find one person who I feel comfortable talking to.  I never want to be alone, and I definitely do not want to be stuck in a situation where I constantly have to uncomfortably strike a new conversation with a stranger, hoping that they'll be my companion during the awkward-fest.  The point is, people want to socialize, but only to a certain degree.  They still need their personal space, so that they can size up any and every situation before just barging into another persons life.
Several studies were completed on conversing at different tables, different spaces, and with different types of people.  The studies found that people tend to sit side by side when they are sharing something like information, or conversing with someone comfortably.  They sit across from one another when they are either competing, and they sit with a space between them when they are working separately.
What I found interesting to my own project is that when people are sitting at a circle, they are more likely to interact with the person opposite them, rather than the persons beside them.  This is because eye contact and being able to clearly see a person creates a much more welcoming and inviting situation, and makes that person want to join (Steinzor effect).
Personality, task, and environment are all of the main functions determining how far or close people will arrange themselves.  If the situation looks friendly people are more likely to limit the space, however a hostile situation will create more space.  I think all of this is relatively obvious, and the main point is that design should take into account the way people interact according to certain situations.
Designers can create seating arrangements that either accommodate interaction or avoid interaction and it is something that people often forget.
Luckily, I think my own dining table/dining environment allows for communication because the multifunctional tables are able to detach and attach into a number of arrangements.  While, the tables are faced in a line and in the same direction facing towards the screen, it is supposed to limit conversation, because they are suppose to be speaking instead to the other countries on the screen.  Later, when they are meant to socialize, the tables are arranged in a bar like manner where people are both facing eachother and at corners as well- both good for conversation.  Finally, when the guests eat, the tables are to be attached into a circle, where conversation will apparently at least be decent.
I think this article definitely makes valid points, and I will want to take it into account before I design anything where communication is a major factor.

Wednesday, February 16, 2011

Story

The purpose is to eradicate hunger.  But what would be a convenient way to include guests in the United Nations from all over the world?  And how could an eating place, a ritual place, and a social space all be included in one?  Thanks to Shirley Bircher's design, a lucky four to ten people are able to dine in such a space.  Imagine a long rectangular space in the middle of the hills of Scotland.  You walk through double glass doors and you see only a modern looking table, and an L shaped sideboard/table.  You also see a giant flat screen on the back wall.  The entire space is made of glass, giving a beautiful view of the green hills.  Even the ceiling is made of glass, and you know the view is going to be incredible on the night of the summer solstice.  One of the main features of this space is the attachable and detachable table.  The table has two footed areas that have axis' that connect to the next two footed table.  The axis also allows the tables to flip over and face the opposite direction.  You remember that the email you received gave an agenda for the night, with three main events.  When the ten people arrive, the table will be set up in a criss-crossed manner, so that the guests are all placed at corners, making conversation easy and less awkward.  The bar/side board area is an L shape table with drawers for storing dishes underneath and one part of the L is for serving drinks while the other is for setting foot/ appetizers on.  It is located in the back right corner of the completely open room.  The space gives such an open feeling that it almost seems as if space is unlimited.  After the diners have ordered drinks, socialized, and have gotten comfortable together in the bar type table, the attachable table will be rearranged and attached into a circle.  Dinner will be served by the servers, who also are responsible for changing the tables, but only while the guests are invited over to taste the specialty apetizers at the sideboard.  The food consists of special slates from all over the world, in order to represent the continents.  The will then be invited to taste the desert, and the third and final table will be introduced.  Here the table will simple be unattached at one axis and streched out into a straight line.  It is time to speak to their fellow members of the United Nations around the world.  The room is dark, and the large screen on the back wall is turned on.  They all sit side by side facing what now is a screen of the six other represented countries, and their dinner settings.  Every person has a candle.  It is time to think about the issue at hand.  After all, it is a celebration of eradicating hunger.  Each person, along with the people on the screen go down the line and light their hunger.  They socialize and talk, and once everyone has spoken, the celebration is over.  Everyone had a good night, and enjoyed the chance to be in their space, and look forward to the winter solstice when they will be given the chance to do it again.

Friday, February 11, 2011

The Anthropology of Space- in relation to "Babettes Feast" -Theory Reading 2

"The Anthropology of Space: An Organizing Model" written by Edward T. Hall informs us on the importance of SPACE.  However, this isn't the typical kind of space most architects are aware of.  Instead, he focuses on the differences between WHAT one sees, and HOW one sees.  For example, a room or space may look aesthetically pleasing, but is it's functionality appropriate for the peoples expected experience in the room?

There are a couple types of spaces that are important to man.  There is the "fixed featured space", where man is territorial.  Whether we realize it or not, we have both invisible and visible lines of territory.  It's a proxemic level of space that is very important to our comfort.
There is also the type of space that applies differently to different cultures, but one that allows people to 'let their guards down' or one that provides privacy.  For instance, a house and an office allow people to have two separate and incompatible personalities throughout their lives.  The office space creates a different environment where the person may have a 'facade', while their house is where they can be themselves without worry.
A house also provides SPACE in another way.  It has defined rooms (or spaces) for different purposes.  This may be taken for granted by us, but it is a relatively new idea.  Even spaces there may effect the moods of people according to their own personal tastes.  Some people like really high ceilings and open spaces, while others might feel more comfortable with a low and 'homey' design.
More importantly though, large and crowded places are effected by the designed space.  This is because if there is no sense of space it can be dangerous.  Also, I thought a funny quote was "People who 'live in a mess' or a 'constant state of confusion' are those who fail to classify activities and artifacts according to a uniform, consistent, or predictable spatial plan."  Also, "To be disoriented in space is to be psychotic."  So true.
Humphry Osmond's studies and designs in this article are what made me see the relations between Babette's feast and the sense of design and space.  Osmond studied the relationship between furniture and communication.  For instance, is the space designed so that people will have good conversations?  One of his discoveries was that people who sit corner to corner have the most conversations, rather than people facing eachother or side by side.  In the film, the table hardly had any conversation.  There were a couple possible reasons- one because the food was incredibly tasty and distracting- another because the table was designed in a manner that did not consider communication- and three because of the cultural differences between the people.
Hall mentioned that there are pieces of information that we leave out when we communicate and we take those unsaid things for granted, where as another culture would be completely confused by that missing information.  In Babettes Feast the general would often say something and then everyone else would just nod their heads or get the wrong meaning.  Design should be able to fill those gaps so that it is not awkward, it should be able to speak for the unspoken words- which is the function of Hall's classification system.
Design and space are definitely present though in the area that Babette was working.  Similar to the importance of separate areas mentioned above, Babette had her own space for cooking.  She was able to prepare a large feast and move extremely fast without worrying about her appearance, while her guests were able to enjoy a relaxing, and calm setting in a separate space.  I think babettes feast was designed well, but could have definitely improved on some of the above issues.

Monday, February 7, 2011

Design Manifesto: Theory Reading 1

I believe that design should be anything true to yourself.  An important part of design is coming up with something new...but that is not all there is to it.  I think if a person is TRUE to themselves and unaffected by what other designers around them are doing, then their look, or style, will come through as different and new...because after all, we all ARE different.

I also think design is about being a visual person.  I agree that all humans are designers to some extent, and I also agree that some are VERY good designers.  These people have to train their minds- they have to make themselves easily able to solve problems in design and to see in their heads visually what they want.  I definitely don't think machines could be designers, because of these reasons.  They would not be able to create anything new, and they would not be different, adding in their own personal taste.

I too, think drawing is important as a designer.  Most designers do sketch- and there is definitely a reason for that, however the reasons may vary.  For me, the simple act of sketching helps me with the idea process, which is the hardest part.  When we are given an assignment, I go to my sketchbook first and I come up with ideas and sketch them out.  Translating to my sketch book what is in my mind helps me see it more clearly and allows me to think about the details.

Just like every person has their own reasons for sketching, everyone has their own way of designing.  I think foundations that we learn in college are necessary for the most part- but I also think a GOOD designer takes what they learn and apply it to THEMSELVES-not morph into the designer that people expect of you- trying to one up the designers before you.  I think every designer who stays true to their own taste is the best designer.